No 4 (2014)

Music Scholarship / Problemy Muzykal'noj Nauki

Full Issue

View or download the full issue PDF (Russian) Abstracts Contributors

Table of Contents

Music Theory

Diatonicism: the Experience of Interpretation PDF (Russian)
Evgeny A. Pinchukov 5-15

The Creative Worlds of Musical Compositions

The Sound Cosmography of Nikolai Rimsky-Korsakov and Richard Wagner PDF (Russian)
Anna G. Fefelova 16-19
Conceptual Space in the Music of 20th Century Composers PDF (Russian)
Svetlana A. Mozgot 20-24
The Religious Symbolic Aspects of Dramaturgy, The Image of the Main Protagonist and the Interpretation of his Teaching in Olivier Messiaen’s Opera-Mystery “St. Francis of Assisi” PDF (Russian)
Galina E. Kaloshina 25-30

Сultural Heritage in Historical Perspective

The Interpretation of Style in the Epistolary Legacy of Boleslav Yavorsky (from his Correspondence with Sergei Protopopoff) PDF (Russian)
Olga I. Kulapina 31-34
The Style of Boris Asafiev’s Scholarly Works PDF (Russian)
Ekaterina A. Nogina 35-39

International Division

American Festival of Microtonal Music in 2014 PDF
Anton A. Rovner 40-44
On the Emergence of the Art of Jazz in Kiev PDF (Russian)
Elena A. Koverza 45-56
The Concept of “Professionalism of the Oral Tradition” and the Kazakh Song Culture: New and Old Issues PDF (Russian)
Saida A. Elemanova 57-62

Musical Instruments of Russia

Traditions and Innovations in the Art of Performance of Saratov-Based Accordionists on the Present-Day Level PDF (Russian)
Alevtina A. Mikhailova 63-66
Enrichment of the Timbre Color in Compositions for Mixed Ensembles of Russian Folk Instruments PDF (Russian)
Mikhail I. Sharabarin 66-70
Concerning the Issue of the Genesis of the Production of Sound of the Harmonica PDF (Russian)
Rashida G. Sagadeyeva 71-76

Sacred Music

Russian Concerts of Sacred Music of the 19th and Early 20th Centuries through the Prism of Musical Criticism PDF (Russian)
Irina P. Dabayeva 77-81
The Transformation of the Key Concepts in the Practice of Russian Church Singing from the Second Half of the 17th Century to the Beginning of the 19th Century PDF (Russian)
Irina V. Polozova 82-86

Contemporary Musical Art

Dialogue of the Historical Time Periods in the Music of Alfred Schnittke PDF (Russian)
Alexander I. Demchenko 87-91
The Peculiarities of Genre and Conception of Rodion Shchedrin’s “Echo-Sonata” for Solo Violin in the Context of Quests of the Epoch PDF (Russian)
Sergei I. Nesterov 91-97

Musical Text and its Performer

An Essay on a Pianist’s Memory and Emotions PDF (Russian)
Natalia S. Gavrilova 98-102
Transcriptions and their Varieties. The Inclusion of “Second-Rate Compositions” into the Repertoire of the Domra PDF (Russian)
Tatiana N. Smirnova 103-108

Area Studies in Music

Springtime Musical Festivities in Ekaterinodar: Mikhail Gnesin at the Source of the Artistic Festivals PDF (Russian)
Sergei V. Anikienko 109-113
From the History of the Russian Choral Society of the Sverdlovsk Region PDF (Russian)
Roman P. Karabatov 114-121

Music in the System of Culture

Epy Theatrical Forms of Realizing of Musical Material: Aspects of Communication PDF (Russian)
Natalia Yu. Kireyeva 122-127
Georgy Sviridov – Talent or Genius? Concerning the Problem of Formation of Creative Personality in Art PDF (Russian)
Elena V. Mstislavskaya 128-132