«Хоралы» Сезара Франка в зеркале стилевых диалогов романтизма и барокко

Elena M. Lozan


The article is devoted to Cesar Franck’s chorales, viewed in their two dimensions: in the context of organ and choral arrangement of Baroque and through the prism of the late Romanticism. The author has discovered that both the law of construction and the choice of musical expression in Franck’s music are largely focused on the prototype, namely, the Protestant chorale. At the same time, Franck uses the features of late-romantic musical language in harmony, texture and composition of his and undertakes poetic, lyrical, melodious rethinking of chorale’s “assignment” from the perspective of the individual composer’s style.

Keywords: Franck, chorale, Baroque, Romanticism

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